Theater productions have increasingly featured a homophobic slur in their titles, sparking debate about the power and impact of reclaiming such language. Several recent plays in New York and internationally have used the word prominently, with creators—many of whom are gay men—arguing that its use can be empowering, provocative, or even joyful within the context of queer art. However, the visibility of the word outside of these spaces, such as on posters or playbills, raises discomfort and questions about context, audience, and the potential for harm, especially for those who have been targeted by the slur.

Artists and scholars interviewed in the article discuss the tension between artistic freedom and the pain associated with slurs, noting that while some terms have been reclaimed by the wider community, this particular word retains a unique sting. The use of the slur in public-facing titles challenges both theatergoers and passersby, forcing a confrontation with its history and meaning. Despite concerns about backlash, productions have largely proceeded without major controversy, reflecting both the evolving conversation around language in art and the complexities of reclaiming words with painful histories.