Politics and turmoil overshadow the Venice Biennale

The Venice Biennale, the world’s most prestigious international art exhibition, has opened amid intense political controversy and internal upheaval. The sudden death of its curator, Koyo Kouoh, cast a shadow over preparations, even as her team worked to faithfully realize her vision for the show. Geopolitical tensions have also been impossible to ignore, with protests, heightened security and disputes over artist eligibility unfolding alongside the art.

The situation escalated when the exhibition’s jury announced it would not award prizes to artists from countries whose leaders are under investigation for war crimes. After backlash and a legal threat from an Israeli artist, the jury resigned entirely, leaving prize decisions to public voting. The unprecedented move has sparked concern among artists about fairness and potential manipulation.

Despite the turmoil, many works have stood out. Austria’s pavilion has drawn particular attention for its provocative, flood-themed performance installation addressing environmental collapse in Venice. Elsewhere, quieter pieces offer moments of reflection, echoing Kouoh’s theme of slowing down and reconnecting with shared humanity. Even amid scandal and protest, the art continues to command attention.