The new Broadway musical 'The Queen of Versailles,' starring Kristin Chenoweth, brings the story of socialite Jackie Siegel's quest to build America's largest private home to the stage. Despite its high-profile creative team and lavish production, the show feels unfinished, with a set shrouded in tarps and a narrative that struggles to find its tone. The musical oscillates between satire and sympathy, never fully exploring themes of wealth, ambition, or the American dream, and ultimately leaves its central character's motivations unclear.

The production features extravagant staging and a mix of musical styles, but memorable songs are few and the script fails to deliver sharp humor or insight. Chenoweth shines in the lead role, yet is hampered by unfocused writing. As the show unfolds, it attempts to blend historical references, family drama, and social commentary, but ends up feeling as incomplete as the mansion at its center.